Now, never have I professed to being the best writer in the world, a full testament to that fact being I just started this sentence with a wholly inappropriate 'now'.
I am also aware that there are a million and one other blogs on the subject of film which are far more deserving of your time and attention than this one. But then this was never meant to replace your monthly subscription to Total Film, or overhaul your Netflix rental list. It was just a place for me to store my concise but fleeting thoughts about the magical medium of cinema. But even so, I'm really glad you're here. So welcome...

Saturday, 7 July 2012

Shooter

One thing can be said for Shooter; they've certainly invested some time in making the locations look good. The director's helicopter fetish makes for some particularly lavish long shots, but it's a feat not overly matched by the storyline itself. In trying to be a twisting plot of double-crossing and assassination framing (think Bourne meets 24), they've actually managed to produce quite a predictable movie, that doesn't really bring anything new to the genre. Sure, Mark Wahlberg is a perfectly capable ex-marine sniper (and it's nice to see someone other than Bruce Willis or Jason Statham in that kind of role), but in order to cut-through in the cluttered double-crossed story space, the filmmakers needed something a little more innovative than just a new name in the title role.

Mark Wahlberg takes his Xbox gaming very seriously
As far as everything else goes, it's a perfectly acceptable action movie. One phenomenally minor point, but important to me at the time; all the major dialogue seems to be only a little more than a whisper, which makes it a slightly nerve-wracking (or confusing) film to watch while babysitting. Otherwise, bar a strange overuse of shopping lists (I counted him writing at least three!), and the suspension of disbelief required when Mark is able to train a rookie cop to be a world-class sniper in an afternoon, Shooter is a worthwhile watch.

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