Fortunately, the maturing singer façade does just enough to keep this 'tale as old as time' feeling reasonably fresh, achieved mostly thanks to the surprisingly thorough back catalogue of songs from the band 'Pop!', and the superbly witty script, delivered with effortless arrogance and egotism by Hugh Grant. Lines of particular note include "The few syllables you got out were absolutely devastating" and the masterful "I have great insight. I'd use it on myself only I don't have any problems" which only really serve to prove my point.
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| Oi you two... Hands where we can see them. This is a family show. |
Worryingly however, it's not the narcissistic Alex Fletcher (Hugh Grant) that grates the most (in fact, he comes across surprisingly well, despite his obvious, and numerous character defects). In fact, it is Drew Barrymore's scatty, hypochondriac plant-waterer Sophie (who seems to spend all of her time either whining or being deliberately difficult) that takes that particular award. Happily though, the supporting cast provide enough interest and humour that she can be easily forgiven (with the 'alternative' lyricist Greg easily being the funniest man in the show, despite having all of 4 lines).
In essence then, the unoriginal story format does mean that the plot is overly predictable in places. However, there is enough else going on that will quote happily provide enough distraction for the necessary 96 minutes to keep you entertained. Besides, as the standard Hollywood love story is certainly not a 'broken' format, there seems no reason to change it any time soon. And if you're still not convinced, Hugh Grant's rendition of 'Pop! Goes My Heart' makes for an unexpectedly effective song in the gym, especially recommended for upper body weight machines. You don't have to believe me; I'm just sayin'...
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